Peter J Mercer-Taylor – Research output — Experts@Minnesota

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Emailmerce011umnedu

Research activity per year

17 Article
8 Chapter
3 Book
3 Review article

31 results

2021
Gems of exquisite beauty: How hymnody carried classical music to America
Mercer-Taylor, P., Jan 1 2021, Oxford University Press. 385 p.
Research output: Book/Report › Book
3 Scopus citations
2020
Brass topics, abbreviated recapitulations, and the Bildungsreise: A new approach to the first movement of mendelssohn’s ‘Italian’ symphony
Mercer-Taylor, P., Jan 1 2020, Rethinking Mendelssohn. Oxford University Press, p. 38-59 22 p.
Research output: Chapter in Book/Report/Conference proceeding › Chapter
2017

Mendelssohn’s “Scottish” symphony and the music of German memory
Mercer-Taylor, P., Jan 1 2017, Mendelssohn. Taylor and Francis, p. 359-373 15 p.
Research output: Chapter in Book/Report/Conference proceeding › Chapter
2015
Listening for the "still small voice" of Mendelssohn's domestic Elijah
Mercer-Taylor, P., Jan 1 2015, In: Journal of Musicology. 32, 1, p. 40-77 38 p.
Research output: Contribution to journal › Review article › peer-review
2014

Between Hymn and Horror Film: How do we Listen to Cradle of Filth?
Mercer-Taylor, P., Jan 1 2014, The Lure of the Dark Side: Satan and Western Demonology in Popular Culture. Taylor and Francis, p. 39-59 21 p.
Research output: Chapter in Book/Report/Conference proceeding › Chapter
2013
Between hymn and horror film: How do we listen to cradle of filth?
Mercer-Taylor, P., Jan 1 2013, The Lure of the Dark Side: Satan and Western Demonology in Popular Culture: Satanism and Western Demonology in Popular Culture. Christianson, E. & Partridge, C. (eds.). London, UK: Equinox Publishing Ltd, p. 39-59 21 p.
Research output: Chapter in Book/Report/Conference proceeding › Chapter
1 Scopus citations
"The calliope crashed to the ground": Linear and cyclic time in Manfred Mann's Earth Band's blinded by the Light
Mercer-Taylor, P., Sep 2013, In: Music Theory Spectrum. 35, 2, p. 147-165 19 p.
Research output: Contribution to journal › Article › peer-review
4 Scopus citations
'The Calliope crashed to the ground‟: Linear and Cyclic Time in Manfred Mann‟s Earth Band‟s „Blinded by the Light‟
Mercer-Taylor, P. J., 2013, In: Music Theory Spectrum. 35
Research output: Contribution to journal › Article › peer-review
2012

Progressive Vocality and the Transformation of Fugato in Mendelssohn‟s „Reformation‟ Symphony
Mercer-Taylor, P. J., 2012, Mendelssohn and the Contrapuntal Tradition. Thym, J. (ed.). University of Rochester Press
Research output: Chapter in Book/Report/Conference proceeding › Chapter
2009

Beyond „the Herald Angels‟: Recovering Mendelssohn the Hymnodist
Mercer-Taylor, P. J., 2009, In: CrossAccent: The Journal of the Association of Lutheran Church Musicians. 17, p. 19-35
Research output: Contribution to journal › Article › peer-review
Mendelssohn in Nineteenth-Century American Hymnody
Mercer-Taylor, P. J., 2009, In: Nineteenth Century Music. 32, 3, p. 235-283 49 p.
Research output: Contribution to journal › Article › peer-review
1 Scopus citations
2007
Bill staines's bridges and the art of meta-folk
Mercer-Taylor, P., Nov 2007, In: Journal of the Society for American Music. 1, 4, p. 423-452 30 p.
Research output: Contribution to journal › Article › peer-review
Bill Staines‟s Bridges and the Art of Meta-Folk
Mercer-Taylor, P. J., 2007, In: Journal of the Society for American Music. 1, p. 423-452
Research output: Contribution to journal › Article › peer-review
2005

Review of Michael P. Steinberg, Culture, Subjectivity, and Nineteenth-Century Music, Notes
Mercer-Taylor, P. J., Sep 2005, In: The Quarterly Journal of the Music Library Association.
Research output: Contribution to journal › Article › peer-review
"Stupid, stupid signs": Incomprehensibility, memory, and the meaning (maybe) of R.E.M.'s "sidewinder sleeps tonite"
Mercer-Taylor, P., 2005, In: Musical Quarterly. 88, 3, p. 456-486 31 p.
Research output: Contribution to journal › Article › peer-review

3 Scopus citations
'Stupid, stupid signs': Incomprehensibility, Memory, and the Meaning (Maybe) of R.E.M.‟s „Sidewinder Sleeps Tonite,‟
Mercer-Taylor, P. J., 2005, In: Musical Quarterly. 88, p. 456-486
Research output: Contribution to journal › Article › peer-review

3 Scopus citations
2004
Introduction: Mendelssohn as border-dweller
Mercer-Taylor, P., Jan 1 2004, The Cambridge Companion to: Mendelssohn. Cambridge University Press, p. 1-8 8 p.
Research output: Chapter in Book/Report/Conference proceeding › Chapter
2 Scopus citations
Introduction: Mendelssohn as border dweller
Mercer-Taylor, P. J., 2004, The Cambridge Companion to Mendelssohn. Mercer-Taylor, P. (ed.). Cambridge: Cambridge University Press, p. 1-10
Research output: Chapter in Book/Report/Conference proceeding › Chapter

2 Scopus citations
Mendelssohn and the institution(s) of German art music
Mercer-Taylor, P., Jan 1 2004, The Cambridge Companion to: Mendelssohn: Mendelssohn. Cambridge University Press, p. 9-25 17 p.
Research output: Chapter in Book/Report/Conference proceeding › Chapter
1 Scopus citations
The Cambridge Companion to: Mendelssohn
Mercer-Taylor, P., Jan 1 2004, Cambridge: Cambridge University Press. 315 p.
Research output: Book/Report › Book
8 Scopus citations
2000

Review of Perry Meisel, The Cowboy and the Dandy: Crossing Over from Romanticism to Rock and Roll, Notes
Mercer-Taylor, P. J., Dec 2000, In: The Quarterly Journal of the Music Library Association. 57
Research output: Contribution to journal › Article › peer-review
The life of Mendelssohn
Mercer-Taylor, P. J., 2000, Cambridge: Cambridge University Press.
Research output: Book/Report › Book
1999

Two-and-a-half centuries in the life of a hook
Mercer-Taylor, P., 1999, In: Popular Music and Society. 23, 2, p. 1-15 15 p.
Research output: Contribution to journal › Article › peer-review

4 Scopus citations
1998

Songs from the bell jar: Autonomy and resistance in the music of The Bangles
Mercer-Taylor, P., 1998, In: Popular Music. 17, 2, p. 187-204 18 p.
Research output: Contribution to journal › Review article › peer-review

5 Scopus citations
1997

Rethinking Mendelssohn's historicism: A lesson from St. Paul
Mercer-Taylor, P., 1997, In: Journal of Musicology. 15, 2, p. 208-229 22 p.
Research output: Contribution to journal › Article › peer-review

7 Scopus citations
Rethinking Mendelssohn‟s Historicism: A Lesson from St. Paul
Mercer-Taylor, P. J., 1997, In: The Journal of Musicology. 15, p. 208-209
Research output: Contribution to journal › Article › peer-review
Unification and tonal absolution in 'Der Freischütz'
Mercer-Taylor, P., 1997, In: Music and Letters. 78, 2, p. 220-232 13 p.
Research output: Contribution to journal › Review article › peer-review

1 Scopus citations
Unification and tonal absolution in Der Freischütz
Mercer-Taylor, P. J., 1997, In: Music & Letters. 78, p. 220-232
Research output: Contribution to journal › Article › peer-review

1 Scopus citations
1995

Elvis Costello Opens his Mouth Almighty
Mercer-Taylor, P. J., 1995, In: repercussions. 4, p. 26-52
Research output: Contribution to journal › Article › peer-review
Mendelssohn’s “Scottish” Symphony and the Music of German Memory
Mercer-Taylor, P., Jan 1 1995, In: Nineteenth Century Music. 19, 1, p. 68-82 15 p.
Research output: Contribution to journal › Article › peer-review

13 Scopus citations
Mendelssohn‟s „Scottish‟ Symphony and the Music of German Memory
Mercer-Taylor, P. J., 1995, In: 19th-Century Music. 19, p. 68-82
Research output: Contribution to journal › Article › peer-review

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