Abstract
James argues that a "cultivated" life, exemplified by that of the artist, is marked by an "accumulation of the very treasure itself of consciousness", which does not by any means ensure an afterlife, but points toward a "more" and an "other" that makes that afterlife seem more probable.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 43-68 |
| Number of pages | 26 |
| Journal | Journal of the Midwest Modern Language Association |
| Volume | 42 |
| Issue number | 2 |
| State | Published - Sep 1 2009 |