James argues that a "cultivated" life, exemplified by that of the artist, is marked by an "accumulation of the very treasure itself of consciousness", which does not by any means ensure an afterlife, but points toward a "more" and an "other" that makes that afterlife seem more probable.
|Original language||English (US)|
|Number of pages||26|
|Journal||Journal of the Midwest Modern Language Association|
|State||Published - Sep 1 2009|