TY - JOUR
T1 - Clean cuts
T2 - Procter & Gamble's depression-era soap-carving contests
AU - Marshall, Jennifer Jane
PY - 2008/3/1
Y1 - 2008/3/1
N2 - In the 1920s and 1930s, Procter & Gamble popularized the art of soap carving through a series of annual competitions, which explicitly promoted handicraft as a therapeutic alternative to the machine age. However, soap sculpture in fact offered a way to accommodate the changes associated with commercial modernization. A do-it-yourself hobby that relied on mass production, turned the household chore of shaving soap into an art form, and produced compact works of art that reflected the demands of factory production, soap sculpture is an example "antimodern modernism" - assimilating and aestheticizing the very processes of modernization it otherwise appeared to oppose.
AB - In the 1920s and 1930s, Procter & Gamble popularized the art of soap carving through a series of annual competitions, which explicitly promoted handicraft as a therapeutic alternative to the machine age. However, soap sculpture in fact offered a way to accommodate the changes associated with commercial modernization. A do-it-yourself hobby that relied on mass production, turned the household chore of shaving soap into an art form, and produced compact works of art that reflected the demands of factory production, soap sculpture is an example "antimodern modernism" - assimilating and aestheticizing the very processes of modernization it otherwise appeared to oppose.
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U2 - 10.1086/528905
DO - 10.1086/528905
M3 - Review article
AN - SCOPUS:48849096746
SN - 0084-0416
VL - 42
SP - 51
EP - 76
JO - Winterthur Portfolio
JF - Winterthur Portfolio
IS - 1
ER -