TY - JOUR
T1 - Joseph ben Samuel Scombining dot belowarfati's «Tratado de Melibea y Calisto»
T2 - A Sephardic Jew's reading of the Celestina in light of the medieval Judeo-Spanish go-between tradition
AU - Hamilton, Michelle M.
PY - 2002
Y1 - 2002
N2 - The introductory poem that the sixteenth-century Italian Jew, Samuel Scombining dot belowarfati, included with his now lost Hebrew translation of Fernando de Rojas' Spanish masterpiece, La Celestina, mentions several elements foreign to Rojas work as we know it today. These include the image of the war of lovers, the description of women as the Angels of Death and as the Devil (Azazel), and the identification of sexual desire and religious assimilation. In my opinion these elements show that Scombining dot belowarfati had in mind two earlier works from the Judeo-Spanish go-between tradition, Minhat Yehuda by Judah Ibn Šabbatay and the «Maqâma of Marriage» by Judah al-Hcombining dot belowarīzī. In both of these Hebrew works we find images similar to those used by Scombining dot belowarfati, as well as some strikingly similar formal and linguistic characteristics, all of which suggests that these two works were part of the historical-literary background of Scombining dot belowarfati (and, perhaps, Rojas himself).
AB - The introductory poem that the sixteenth-century Italian Jew, Samuel Scombining dot belowarfati, included with his now lost Hebrew translation of Fernando de Rojas' Spanish masterpiece, La Celestina, mentions several elements foreign to Rojas work as we know it today. These include the image of the war of lovers, the description of women as the Angels of Death and as the Devil (Azazel), and the identification of sexual desire and religious assimilation. In my opinion these elements show that Scombining dot belowarfati had in mind two earlier works from the Judeo-Spanish go-between tradition, Minhat Yehuda by Judah Ibn Šabbatay and the «Maqâma of Marriage» by Judah al-Hcombining dot belowarīzī. In both of these Hebrew works we find images similar to those used by Scombining dot belowarfati, as well as some strikingly similar formal and linguistic characteristics, all of which suggests that these two works were part of the historical-literary background of Scombining dot belowarfati (and, perhaps, Rojas himself).
KW - Go-between
KW - Judeo-Spanish Literature
KW - La Celestina
KW - Maqāmat
KW - Samuel Scombining dot belowarfati
UR - http://www.scopus.com/inward/record.url?scp=66149093112&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=66149093112&partnerID=8YFLogxK
U2 - 10.3989/sefarad.2002.v62.i2.561
DO - 10.3989/sefarad.2002.v62.i2.561
M3 - Article
AN - SCOPUS:66149093112
SN - 0037-0894
VL - 62
SP - 329
EP - 347
JO - Sefarad
JF - Sefarad
IS - 2
ER -