TY - JOUR
T1 - Performing postcolonial homophobia
T2 - A decolonial analysis of the 2013 public demonstrations against same-sex marriage in Haiti
AU - Durban-Albrecht, Erin L.
N1 - Publisher Copyright:
© 2017 Women & Performance Project Inc.
PY - 2017/5/4
Y1 - 2017/5/4
N2 - This article analyzes a public demonstration against same-sex marriage in Port-au-Prince, Haiti. The author provides a thick description of this performance led by Protestant Haitians, focusing on creative displays of evangelical Christian antigay sexual politics. While the author intends to represent the demonstration in ways that are recognizable to its organizers and participants, the author comes at this project through a concern about the public performance’s effects on Haitians with same-sex desires, with whom the author has been conducting multi-sited ethnographic research since 2008. As the author contends, the demonstration was more than an enactment of “Haitian homophobia.” The author situates the contemporary conflicts and controversies about (homo)sexual politics in the context of French colonial and U.S. imperialist legacies, as performances of “postcolonial homophobia.” Postcolonial homophobia refers to the cumulative effects of historical and contemporary Western imperialist biopolitical interventions to discover, regulate, manage, control, govern, and/or liberate (homo)sexuality in postcolonial nations. Here, postcolonial homophobia is played out by two seemingly antithetical transnational social movements: evangelical Christianity and LGBTQI human rights. Debates about whether Haiti is too queer (the evangelical Christian discourse) or too homophobic (the LGBTQI rights discourse) ultimately work together to erase histories of imperialist intervention and promote American exceptionalism, which negatively impacts all Haitians.
AB - This article analyzes a public demonstration against same-sex marriage in Port-au-Prince, Haiti. The author provides a thick description of this performance led by Protestant Haitians, focusing on creative displays of evangelical Christian antigay sexual politics. While the author intends to represent the demonstration in ways that are recognizable to its organizers and participants, the author comes at this project through a concern about the public performance’s effects on Haitians with same-sex desires, with whom the author has been conducting multi-sited ethnographic research since 2008. As the author contends, the demonstration was more than an enactment of “Haitian homophobia.” The author situates the contemporary conflicts and controversies about (homo)sexual politics in the context of French colonial and U.S. imperialist legacies, as performances of “postcolonial homophobia.” Postcolonial homophobia refers to the cumulative effects of historical and contemporary Western imperialist biopolitical interventions to discover, regulate, manage, control, govern, and/or liberate (homo)sexuality in postcolonial nations. Here, postcolonial homophobia is played out by two seemingly antithetical transnational social movements: evangelical Christianity and LGBTQI human rights. Debates about whether Haiti is too queer (the evangelical Christian discourse) or too homophobic (the LGBTQI rights discourse) ultimately work together to erase histories of imperialist intervention and promote American exceptionalism, which negatively impacts all Haitians.
KW - Haiti
KW - LGBTQI human rights
KW - US imperialism
KW - evangelical Christianity
KW - missionaries
KW - postcolonial homophobia
UR - http://www.scopus.com/inward/record.url?scp=85019590258&partnerID=8YFLogxK
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U2 - 10.1080/0740770X.2017.1315229
DO - 10.1080/0740770X.2017.1315229
M3 - Article
AN - SCOPUS:85019590258
SN - 0740-770X
VL - 27
SP - 160
EP - 175
JO - Women and Performance
JF - Women and Performance
IS - 2
ER -