This chapter explores musical communication in a cinematic context. It presents empirical and theoretical models of film music perception and the role of music in film. It illustrates some of the ways in which a film's soundtrack can not only contribute towards but also expand upon the meaning of a film's narrative, and on what it communicates to the audience.
|Original language||English (US)|
|Title of host publication||Musical Communication|
|Publisher||Oxford University Press|
|State||Published - Mar 22 2012|
- Customer activity
- Film music
- Musical communication